![pianoteq 4 ka pianoteq 4 ka](https://i.ytimg.com/vi/RK0RYIMUZfs/hqdefault.jpg)
The sound quality of the current model is compared to previous listening tests showing a slight improvement, while the computational cost is still kept low as in the previous work. Listening tests have been conducted in based on the previously described model. The Clavinet pickups have been studied in more detail in. The model discussed hereby is based on the latter, provides more details, and introduces some improvements. Previous works on the Clavinet include a first exploration of the FDTD modeling for the Clavinet string in and a first DWG model proposed in. However, the computational model proposed in this paper is based on digital waveguide (DWG) techniques, which prove to be computationally more efficient than other methods while adequate for reproducing tones of slightly inharmonic stringed instruments including keyboard instruments. Which enable accurate reproduction of inharmonicity and beating characteristics of each partial, have recently become popular in the modeling of stringed instruments.
![pianoteq 4 ka pianoteq 4 ka](https://i.imgur.com/Czwj2Ib.jpg)
Via Brecce Bianche 12, Ancona 60131, Italyįull list of author information is available at the end of the article Modal synthesis techniques,Ĭorrespondence: Department of Information Engineering, Université Politecnica delle Marche, Some strictly adhere to an underlying physical model and require minimal assumptions, such as finite-difference time-domain methods (FDTD). Several methods for the emulation of musical instruments are now available.
![pianoteq 4 ka pianoteq 4 ka](https://maxonmobiles.com.pk/wp-content/uploads/2020/04/Untitled-4.png)
The minor differences between this and other models are not addressed here. The name 'Clavinet' refers to a family of instruments produced by Hohner between the 1960s and the 1980s, among which the most well-known model is the Clavinet D6. Studying the behavior of the Clavinet from an acoustic perspective enables the use of a physical model for the emulation of its sound, making possible low-cost use for musicians. In most cases, however, these instruments are no longer in production they age and there is a scarcity of spare parts for replacement or repair. Vintage electromechanical instruments such as the Clavinet are currently popular and sought-after by musicians. In recent years, computational acoustics research has explored the emulation of vintage electronic instruments, or national folkloric instruments, such as the kantele, the guqin, or the dan tranh.
![pianoteq 4 ka pianoteq 4 ka](https://i.ytimg.com/vi/j52jDlUOHOE/maxresdefault.jpg)
Finally, subjective listening tests conducted using the current model are compared to previous tests showing slightly improved results.
PIANOTEQ 4 KA SOFTWARE
A model has been implemented on a real-time software platform, Pure Data, capable of a 10-voice polyphony with low latency on an embedded device. Pickups and amplifier models have been implemented which enhance the natural character of the sound with respect to previous work. The string excitation signal model is physically inspired and represents a cheap solution in terms of both computational resources and especially memory requirements (compared, e.g., to sample playback systems). This paper reports analyses conducted on a Hohner Clavinet D6 and proposes a computational model to faithfully reproduce the Clavinet sound in real time, from tone generation to the emulation of the electronic components. As is the case for other vintage instruments, it is subject to aging and requires great effort to be maintained or restored. The Clavinet is an electromechanical musical instrument produced in the mid-twentieth century. Leonardo Gabrielli1*, Vesa Valimaki2, Henri Penttinen2, Stefano Squartini1 and Stefan Bilbao3 A digital waveguide-based approach for Clavinet modeling and synthesis